展览前言：
《我们-有态度》
李奕燊
《我们》当代艺术展是最早由知名策展人田萌、张乃麒，耿纪朋、艺术家彭博于2005年底在四川美术学院大学城校区发起，美国海归著名批评家王小箭先生持续推动，批评家王林、批评家年会秘书长杨卫、美术馆长流浪、策展人姬忠鹏、王麟先生共同参与并多次策划的重要大型系列群展。参展者主要有西南艺术家群体参与并最后呈现出完整的展览，从川美虎溪校区首届《我们》大型群展开始到501和102美术馆的延续，将西南艺术界的老中青艺术家们聚集在黄桷坪，凝结了最后的黄漂大流。如果说锤子美术馆跨年展是黄漂最后的狂欢，那么《我们》展便是黄漂最后的盛宴。
事隔十二年，周而复始，重新提出《我们》展的概念，有着历史意义、有着现实和未来的实践。经历过这几年疫情的肆虐让人们的工作生活发生了颠覆性的变化，以往社群式的方式迅速由线下互动转为线上活动，由此也彻底打破了艺术家在地性的实践活动。
此次展览转为线上，由新加坡中央美术馆线上美术馆重启并拓展定义。“我们”不再被地域局限、“我们”不再被年龄分层、“我们”不再门户区分；《我们》是有态度、《我们》是有力量、《我们》是有行动、《我们》是新一代、《我们》是新纪元，时间推着“我们”走向线上的同时，也给与了我们在艺术之路上颠覆旧秩序走向新纪元的机遇与力量，从而构成了今天的《我们——》国际当代艺术线上系列群展。
We-with an Attitude
Li Yishen
We Contemporary Art Exhibition, an important large-scale series group exhibition, was first initiated by well-known curators Tian Meng and Zhang Naiqi, Geng Jipeng and artist Peng Bo in University Town Campus of Sichuan Fine Arts Institute at the end of 2005, and was continuously promoted by Mr. Wang Xiaojian, a famous critic returned from America, jointly attended and planned for several times by Wang Lin, a critic, Yang Wei, Secretary General of China Annual Critics Assembly, Liu Lang, an art museum director, Ji Zhongpeng, a curator, and Mr. Wang Lin. The exhibitors mainly included Southwest artist group who finally presented a complete exhibition. From the first We large-scale group exhibition in Huxi Campus of Sichuan Fine Arts Institute to its continuation in Art Gallery 501 and 102, the exhibition gathered old, middle-aged and young artists from Southwest art circles in Huangjueping, converging into the final big number of drifters in Huangjueping. If the Cross-year Exhibition of Hammer Art Museum was the final carnival of these drifters, then We Exhibition was their final revelry.
After twelve years, the concept of We Exhibition has been put forward afresh, which has a historical significance, and soil for practice in both reality and future. Due to the epidemic impact in recent years, people's work and life have undergone subversive changes. In the past, the community-based offline interaction is quickly changed to online activities, which has completely changed the artists' local practical activities.
The exhibition is held online this time, and the online art museum of Singapore Central Art Museum will restart the exhibition and expand its definition. "We" is no longer limited by region, stratified by age, and differentiated by family background. We has attitude, strength, action, is a new generation and represents new era. Time pushes "We" to go online, and at the same time gives us the opportunity and strength to subvert the old order and march towards a new era on the road of art, thus ushering in a series of online group exhibitions of We—— international contemporary art.
